How do I know where to place holes on an instrument?What factors to consider when inventing a new (lab)...
Do scales need to be in alphabetical order?
Why do bosons tend to occupy the same state?
Can I run a new neutral wire to repair a broken circuit?
What does the expression "A Mann!" means
How much of data wrangling is a data scientist's job?
Assassin's bullet with mercury
Zip/Tar file compressed to larger size?
Is there a hemisphere-neutral way of specifying a season?
How did the Super Star Destroyer Executor get destroyed exactly?
Watching something be piped to a file live with tail
How to prevent "they're falling in love" trope
iPad being using in wall mount battery swollen
Am I breaking OOP practice with this architecture?
Avoiding the "not like other girls" trope?
Why can't we play rap on piano?
What's the in-universe reasoning behind sorcerers needing material components?
Mathematica command that allows it to read my intentions
Unlock My Phone! February 2018
GFCI outlets - can they be repaired? Are they really needed at the end of a circuit?
How to compactly explain secondary and tertiary characters without resorting to stereotypes?
In 'Revenger,' what does 'cove' come from?
Is there an expression that means doing something right before you will need it rather than doing it in case you might need it?
How to tell a function to use the default argument values?
How do I know where to place holes on an instrument?
How do I know where to place holes on an instrument?
What factors to consider when inventing a new (lab) instrument?Tutorials or advice on layering synthsWhy do people place amps on top of things?How to connect a line signal to a guitar amp?Note Accentuation (Dynamic) - When should/shouldn't you apply accentuation?Reed of the Duduk —how to get a sound?A seriously difficult question about mistakes and intepretation of musicMy guitar instrument produced a perfect sine wave?How do uncovered tone holes in middle of a flute work?Is there some means of expanding the range of a capped reed instrument?
I've been trying to build a double reeded instrument out of plastic straws. I've run into a problem though, when I place fingering holes, the instrument doesn't seem to follow the $$f=/frac{nv}{4L}$$ formula. Is there a formula that would allow me to calculate where along the instrument I should place the holes?
acoustics construction reeds
add a comment |
I've been trying to build a double reeded instrument out of plastic straws. I've run into a problem though, when I place fingering holes, the instrument doesn't seem to follow the $$f=/frac{nv}{4L}$$ formula. Is there a formula that would allow me to calculate where along the instrument I should place the holes?
acoustics construction reeds
I guess the answer is guess! :D It may also be trial and error.
– Xilpex
5 hours ago
add a comment |
I've been trying to build a double reeded instrument out of plastic straws. I've run into a problem though, when I place fingering holes, the instrument doesn't seem to follow the $$f=/frac{nv}{4L}$$ formula. Is there a formula that would allow me to calculate where along the instrument I should place the holes?
acoustics construction reeds
I've been trying to build a double reeded instrument out of plastic straws. I've run into a problem though, when I place fingering holes, the instrument doesn't seem to follow the $$f=/frac{nv}{4L}$$ formula. Is there a formula that would allow me to calculate where along the instrument I should place the holes?
acoustics construction reeds
acoustics construction reeds
asked 5 hours ago
tox123tox123
1187
1187
I guess the answer is guess! :D It may also be trial and error.
– Xilpex
5 hours ago
add a comment |
I guess the answer is guess! :D It may also be trial and error.
– Xilpex
5 hours ago
I guess the answer is guess! :D It may also be trial and error.
– Xilpex
5 hours ago
I guess the answer is guess! :D It may also be trial and error.
– Xilpex
5 hours ago
add a comment |
2 Answers
2
active
oldest
votes
The main problem is that it's an oversimplified assumption to consider an open hole as a perfect open boundary condition for the air column. In fact such a hole still has a significant impedance. On the other side, the mouthpiece is not a perfect closed (reeds) or open (flutes) boundary condition, and also a closed hole still affects the column somewhat. A pitch formula would need to take all those factors into account, which depend on hole size and bore. Doing this accurately would require a big CFD model.
In practice, probably almost every wind instrument maker has instead used empirical models, i.e. basically trial and error. It should certainly be possible to fit a formula to that which is more accurate than the overidealisation but still reasonably accurate, but whether one is available publicly I don't know.
add a comment |
In a perfect world, the fundamental pitch of a pipe is determined by f = v/2L, where v is the speed of sound and L is the length of the pipe.
But we don't live in a perfect world.
Placing a hole in the pipe shortens its length, but the new length - the effective length - isn't the distance to the hole, because that isn't the end of the pipe. The larger the hole, the more it will behave like the ideal. The smaller the hole, the longer the effective length will be.
Because the hole size is a variable, you're not going to find a formula that's going to fit every situation. That's because the hole size is a variable in relation to the diameter of the tube: a 1cm hole in a 10cm tube will have a different effective length than a 1cm hole in a 9cm tube.
Since no formula is going to work for all situations, you have do some trial and error. If the pitch is flat, you can enlarge the hole to shorten the effective length. If the pitch is sharp, you'll have to figure out a way to make that hole smaller (or make the whole tube longer - there's a reason woodwinds have multiple pieces!)
There are other variables, too... conical bores behave differently than cylindrical ones. But I'm assuming you're using a cylindrical tube.
add a comment |
Your Answer
StackExchange.ready(function() {
var channelOptions = {
tags: "".split(" "),
id: "240"
};
initTagRenderer("".split(" "), "".split(" "), channelOptions);
StackExchange.using("externalEditor", function() {
// Have to fire editor after snippets, if snippets enabled
if (StackExchange.settings.snippets.snippetsEnabled) {
StackExchange.using("snippets", function() {
createEditor();
});
}
else {
createEditor();
}
});
function createEditor() {
StackExchange.prepareEditor({
heartbeatType: 'answer',
autoActivateHeartbeat: false,
convertImagesToLinks: false,
noModals: true,
showLowRepImageUploadWarning: true,
reputationToPostImages: null,
bindNavPrevention: true,
postfix: "",
imageUploader: {
brandingHtml: "Powered by u003ca class="icon-imgur-white" href="https://imgur.com/"u003eu003c/au003e",
contentPolicyHtml: "User contributions licensed under u003ca href="https://creativecommons.org/licenses/by-sa/3.0/"u003ecc by-sa 3.0 with attribution requiredu003c/au003e u003ca href="https://stackoverflow.com/legal/content-policy"u003e(content policy)u003c/au003e",
allowUrls: true
},
noCode: true, onDemand: true,
discardSelector: ".discard-answer"
,immediatelyShowMarkdownHelp:true
});
}
});
Sign up or log in
StackExchange.ready(function () {
StackExchange.helpers.onClickDraftSave('#login-link');
});
Sign up using Google
Sign up using Facebook
Sign up using Email and Password
Post as a guest
Required, but never shown
StackExchange.ready(
function () {
StackExchange.openid.initPostLogin('.new-post-login', 'https%3a%2f%2fmusic.stackexchange.com%2fquestions%2f82335%2fhow-do-i-know-where-to-place-holes-on-an-instrument%23new-answer', 'question_page');
}
);
Post as a guest
Required, but never shown
2 Answers
2
active
oldest
votes
2 Answers
2
active
oldest
votes
active
oldest
votes
active
oldest
votes
The main problem is that it's an oversimplified assumption to consider an open hole as a perfect open boundary condition for the air column. In fact such a hole still has a significant impedance. On the other side, the mouthpiece is not a perfect closed (reeds) or open (flutes) boundary condition, and also a closed hole still affects the column somewhat. A pitch formula would need to take all those factors into account, which depend on hole size and bore. Doing this accurately would require a big CFD model.
In practice, probably almost every wind instrument maker has instead used empirical models, i.e. basically trial and error. It should certainly be possible to fit a formula to that which is more accurate than the overidealisation but still reasonably accurate, but whether one is available publicly I don't know.
add a comment |
The main problem is that it's an oversimplified assumption to consider an open hole as a perfect open boundary condition for the air column. In fact such a hole still has a significant impedance. On the other side, the mouthpiece is not a perfect closed (reeds) or open (flutes) boundary condition, and also a closed hole still affects the column somewhat. A pitch formula would need to take all those factors into account, which depend on hole size and bore. Doing this accurately would require a big CFD model.
In practice, probably almost every wind instrument maker has instead used empirical models, i.e. basically trial and error. It should certainly be possible to fit a formula to that which is more accurate than the overidealisation but still reasonably accurate, but whether one is available publicly I don't know.
add a comment |
The main problem is that it's an oversimplified assumption to consider an open hole as a perfect open boundary condition for the air column. In fact such a hole still has a significant impedance. On the other side, the mouthpiece is not a perfect closed (reeds) or open (flutes) boundary condition, and also a closed hole still affects the column somewhat. A pitch formula would need to take all those factors into account, which depend on hole size and bore. Doing this accurately would require a big CFD model.
In practice, probably almost every wind instrument maker has instead used empirical models, i.e. basically trial and error. It should certainly be possible to fit a formula to that which is more accurate than the overidealisation but still reasonably accurate, but whether one is available publicly I don't know.
The main problem is that it's an oversimplified assumption to consider an open hole as a perfect open boundary condition for the air column. In fact such a hole still has a significant impedance. On the other side, the mouthpiece is not a perfect closed (reeds) or open (flutes) boundary condition, and also a closed hole still affects the column somewhat. A pitch formula would need to take all those factors into account, which depend on hole size and bore. Doing this accurately would require a big CFD model.
In practice, probably almost every wind instrument maker has instead used empirical models, i.e. basically trial and error. It should certainly be possible to fit a formula to that which is more accurate than the overidealisation but still reasonably accurate, but whether one is available publicly I don't know.
answered 3 hours ago
leftaroundaboutleftaroundabout
20.7k3690
20.7k3690
add a comment |
add a comment |
In a perfect world, the fundamental pitch of a pipe is determined by f = v/2L, where v is the speed of sound and L is the length of the pipe.
But we don't live in a perfect world.
Placing a hole in the pipe shortens its length, but the new length - the effective length - isn't the distance to the hole, because that isn't the end of the pipe. The larger the hole, the more it will behave like the ideal. The smaller the hole, the longer the effective length will be.
Because the hole size is a variable, you're not going to find a formula that's going to fit every situation. That's because the hole size is a variable in relation to the diameter of the tube: a 1cm hole in a 10cm tube will have a different effective length than a 1cm hole in a 9cm tube.
Since no formula is going to work for all situations, you have do some trial and error. If the pitch is flat, you can enlarge the hole to shorten the effective length. If the pitch is sharp, you'll have to figure out a way to make that hole smaller (or make the whole tube longer - there's a reason woodwinds have multiple pieces!)
There are other variables, too... conical bores behave differently than cylindrical ones. But I'm assuming you're using a cylindrical tube.
add a comment |
In a perfect world, the fundamental pitch of a pipe is determined by f = v/2L, where v is the speed of sound and L is the length of the pipe.
But we don't live in a perfect world.
Placing a hole in the pipe shortens its length, but the new length - the effective length - isn't the distance to the hole, because that isn't the end of the pipe. The larger the hole, the more it will behave like the ideal. The smaller the hole, the longer the effective length will be.
Because the hole size is a variable, you're not going to find a formula that's going to fit every situation. That's because the hole size is a variable in relation to the diameter of the tube: a 1cm hole in a 10cm tube will have a different effective length than a 1cm hole in a 9cm tube.
Since no formula is going to work for all situations, you have do some trial and error. If the pitch is flat, you can enlarge the hole to shorten the effective length. If the pitch is sharp, you'll have to figure out a way to make that hole smaller (or make the whole tube longer - there's a reason woodwinds have multiple pieces!)
There are other variables, too... conical bores behave differently than cylindrical ones. But I'm assuming you're using a cylindrical tube.
add a comment |
In a perfect world, the fundamental pitch of a pipe is determined by f = v/2L, where v is the speed of sound and L is the length of the pipe.
But we don't live in a perfect world.
Placing a hole in the pipe shortens its length, but the new length - the effective length - isn't the distance to the hole, because that isn't the end of the pipe. The larger the hole, the more it will behave like the ideal. The smaller the hole, the longer the effective length will be.
Because the hole size is a variable, you're not going to find a formula that's going to fit every situation. That's because the hole size is a variable in relation to the diameter of the tube: a 1cm hole in a 10cm tube will have a different effective length than a 1cm hole in a 9cm tube.
Since no formula is going to work for all situations, you have do some trial and error. If the pitch is flat, you can enlarge the hole to shorten the effective length. If the pitch is sharp, you'll have to figure out a way to make that hole smaller (or make the whole tube longer - there's a reason woodwinds have multiple pieces!)
There are other variables, too... conical bores behave differently than cylindrical ones. But I'm assuming you're using a cylindrical tube.
In a perfect world, the fundamental pitch of a pipe is determined by f = v/2L, where v is the speed of sound and L is the length of the pipe.
But we don't live in a perfect world.
Placing a hole in the pipe shortens its length, but the new length - the effective length - isn't the distance to the hole, because that isn't the end of the pipe. The larger the hole, the more it will behave like the ideal. The smaller the hole, the longer the effective length will be.
Because the hole size is a variable, you're not going to find a formula that's going to fit every situation. That's because the hole size is a variable in relation to the diameter of the tube: a 1cm hole in a 10cm tube will have a different effective length than a 1cm hole in a 9cm tube.
Since no formula is going to work for all situations, you have do some trial and error. If the pitch is flat, you can enlarge the hole to shorten the effective length. If the pitch is sharp, you'll have to figure out a way to make that hole smaller (or make the whole tube longer - there's a reason woodwinds have multiple pieces!)
There are other variables, too... conical bores behave differently than cylindrical ones. But I'm assuming you're using a cylindrical tube.
answered 1 hour ago
Tom SerbTom Serb
1,132110
1,132110
add a comment |
add a comment |
Thanks for contributing an answer to Music: Practice & Theory Stack Exchange!
- Please be sure to answer the question. Provide details and share your research!
But avoid …
- Asking for help, clarification, or responding to other answers.
- Making statements based on opinion; back them up with references or personal experience.
To learn more, see our tips on writing great answers.
Sign up or log in
StackExchange.ready(function () {
StackExchange.helpers.onClickDraftSave('#login-link');
});
Sign up using Google
Sign up using Facebook
Sign up using Email and Password
Post as a guest
Required, but never shown
StackExchange.ready(
function () {
StackExchange.openid.initPostLogin('.new-post-login', 'https%3a%2f%2fmusic.stackexchange.com%2fquestions%2f82335%2fhow-do-i-know-where-to-place-holes-on-an-instrument%23new-answer', 'question_page');
}
);
Post as a guest
Required, but never shown
Sign up or log in
StackExchange.ready(function () {
StackExchange.helpers.onClickDraftSave('#login-link');
});
Sign up using Google
Sign up using Facebook
Sign up using Email and Password
Post as a guest
Required, but never shown
Sign up or log in
StackExchange.ready(function () {
StackExchange.helpers.onClickDraftSave('#login-link');
});
Sign up using Google
Sign up using Facebook
Sign up using Email and Password
Post as a guest
Required, but never shown
Sign up or log in
StackExchange.ready(function () {
StackExchange.helpers.onClickDraftSave('#login-link');
});
Sign up using Google
Sign up using Facebook
Sign up using Email and Password
Sign up using Google
Sign up using Facebook
Sign up using Email and Password
Post as a guest
Required, but never shown
Required, but never shown
Required, but never shown
Required, but never shown
Required, but never shown
Required, but never shown
Required, but never shown
Required, but never shown
Required, but never shown
I guess the answer is guess! :D It may also be trial and error.
– Xilpex
5 hours ago